Roaring Applause in Madrid: Highlights from a Choir Tour of Spain

The Westminster Choir’s journey through Spain was eight days of music, connection, and moments that felt cinematic in their beauty. From the very first performance to the final encore, the singers became part of each city they touched.

Magnificent venues and local audiences that appreciate choral music made Spain the perfect destination for the choir to elevate their artistry. 

Granada: Setting the Tone

The tour began in Granada, a city where history lingers in every stone and melody seems to echo just a little longer.

Their first performance followed Mass at the breathtaking Santuario de Nuestra Señora del Perpetuo Socorro. The church was at full attention, with every pew occupied and every listener leaning in. The acoustics carried each note with remarkable clarity, creating a moment that felt both intimate and powerful. Enjoy a clip of The Wayfaring Stranger here.

Beyond the music, the group experienced one of Spain’s most iconic treasures: the Alhambra. Wandering its intricate halls and courtyards during a private guided tour, the ensemble stepped into centuries of art, culture, and architectural brilliance.

Seville: Connecting Through Music

Next came Seville, where the rhythm of Andalusia pulses through every street.

The ensemble’s performance at the Museo de Artes y Costumbres Populares truly captured the spirit of the tour. The venue was packed. Sharing the stage with the local choir Conservatorio Profesional de Música “Cristóbal de Morales,” the performance became something greater than a concert. It was a cultural exchange, a choral dialogue, where music bridged languages and backgrounds.

Earlier that day, the two groups shared something simpler but equally meaningful: a pizza dinner filled with laughter. It was in those relaxed, joyful moments that the true essence of the tour came alive. Connections formed through music linger long after the final note fades away.

Between performances, the ensemble explored Seville’s rich heritage, visiting landmarks like the Seville Cathedral and the vibrant Plaza de España, gaining a deeper appreciation for the region’s unique blend of Moorish and Spanish influences.

Madrid: The Grand Finale

After a quick train trip across the beautiful countryside, the ensemble arrived in Madrid, the capital of Spain.

Their performance at the Monasterio de las Descalzas Reales drew extraordinary attention. Crowds gathered well before the concert. At one point, more than 200 people lined the streets outside. By now, the ensemble had become something of a local sensation, building momentum with each city.

After the concert concluded, the ensemble enjoyed a traditional Flamenco show and dinner. It was an evening filled with passion, rhythm, and the unmistakable spirit of Spain.

The final concert of the tour was at the majestic Pontifical Basilica of Saint Michael. The ensemble delivered a performance marked by precision, confidence, and deep emotional resonance. You could feel the electricity emanating from the crowd.

City by city, concert by concert, the Westminster Choir created moments of awe, joy, and connection. They performed with polish, precision, and confidence. It was a fitting, high-impact finale to an extraordinary tour.

 

Art at the Edge of the Arctic

Singers and dancers from The Pinewood School (Los Altos, CA) dazzled local audiences.

This February, the ensemble embarked on an eight-day tour across Iceland, sharing their music and dance with audiences while exploring the country’s breathtaking landscapes. 

The opening concert took place at a historic church in Skálholt, surrounded by vast landscapes, crisp Arctic air, and a stillness that made every note feel sacred. On a particularly frigid Monday night, a warm and enthusiastic audience gathered, filling the pews with anticipation. 

The performance was nothing short of breathtaking.  

Their program spanned centuries and continents: Renaissance polyphony, bossa nova, jazz standards—and unforgettable renditions of Björk’s “Hyperballad” and Queen’s “Somebody to Love” that brought the house down. Ballet and modern dance solos transfixed the audience. There was beatboxing, piano, and fearless musical versatility. 

One local guide said it best:

“They sang like angels and danced like fairies.  

Somebody to Love:

One of the things that makes touring so powerful is the way performance and place intertwine. Skálholtsdómkirkja wasn’t just another concert venue. The historically significant Icelandic church is surrounded by a stark, dramatic landscape in an isolated area of Iceland. That very isolation deepened the experience. Removed from the noise and saturation of bigger cities the travelers were used to, the performance felt more immediate and immersive. For an audience that doesn’t frequently have the chance to attend concerts in such a remote region, the evening carried a special weight.

Of course, a tour with KI Concerts is never just about performances.  

The day after the concert, the ensemble journeyed along Iceland’s dramatic south coast to visit the hauntingly beautiful black sand beaches near Vík í Mýrdal. They stood in awe before the mighty Skógafoss, feeling the mist on their faces and hearing the roar of glacial water tumbling down ancient cliffs.  

The group intended to experience as many of Iceland’s natural offerings as possible. They saw northern lights, humpback whales, enormous geysers, and spent an afternoon at the famous Blue Lagoon. Yet one of the sweetest moments of the trip came completely by surprise. 

As they headed back to the bus, several adorable Icelandic horses wandered up to the fence, looking as if they’d just walked out of a storybook. Students and teachers alike took turns petting the friendly creatures.

Laughter echoed across the fields. Joy was everywhere. 

One of the final moments of the trip was a visit to a majestic frozen lake named Kleifarvatn, where the singers performed an impromptu reprise of “Hyperballad.” See the magic.

Watching the students grow  not just as musicians and dancers, but as global citizens  reminded us why we’re so passionate about what we do. At KI Concerts, we don’t just move ensembles from point A to point B. We craft experiences that connect artistry with place and that create lifelong memories. 

Iceland was an incredible back drop for this journey.  

To The Pinewood School students and directors: thank you for launching our 2026 season with such heart, discipline, and brilliance. You represented your school with extraordinary artistry. 

Announcing Our Re-Imagined Brand


Hi friends,

We’re sharing special news today. After over 45 years of delivering inspirational performance tours to thousands of ensembles across choirs, orchestras, bands and more; we’re freshening up a bit.

Let me introduce our re-imagined KI Concerts brand—which is built upon our legacy as the most collaborative partner in travel and will serve those nearest to our hearts: you, the musicians.

The new brand is fun: new logo, new colors, new ways of thinking about KI, and new ways of connecting with you.

But it also amplifies the important pillars that directors tell us make KI so unforgettable:

  • unrivaled performance tours to unforgettable destinations, customized perfectly to your ensemble’s goals for performance growth, cultural exchange, and sightseeing

  • unmatched choir festivals with renowned directors, where your singers will perform with the best

  • perfect venues, warm audiences, and dynamic itineraries that create a space where your performers thrive and explore

So, we want to celebrate!

If you’re a choir director, will you be at ACDA Eastern, Midwestern, or Western? If so, come to our booth, see the new brand in action, get some swag, and take a selfie with us for a chance to win a $250 Marriott Bonvoy gift card.

LET US KNOW YOU’RE COMING

It is our way of saying thank you for being a part of our exciting refresh and refocus.

As your partner in travel, we want to ensure that on a KI Concerts performance tour, you get to do what matters most: focus on performing.

We’ll handle everything else.

Sincerely,

Oliver Scofield
Global Sales & Senior Advisor – KI Concerts

 

Custom Tour Planning FAQs

Whether you’ve traveled with your ensemble internationally before, only domestically, or if you’re investigating your first trip, planning an international performance tour can feel like a lot. At KI Concerts, we believe the planning process should be collaborative, exciting, and tailored entirely to your ensemble’s needs. Here are answers to the most common questions we hear from directors as they begin planning their custom tour. 

How much does a custom tour cost?

This is always the first question, and for good reason! The honest answer is that cost depends on many factors: your group size, destination, time of year, length of tour, number of concerts, and activities included. Custom tours are built specifically for your ensemble. 

Here’s what makes our approach different: we work within your budget parameters from the start. Directors often come to us with a goal budget, and we’ll help identify destinations and itinerary options that work to meet it, or communicate where it might evolve into a set budget. It’s a collaborative conversation—we’ll help you understand what’s possible at different price points and design accordingly.  

Travel prices are always increasing, but we are always managing price holistically to keep these trips accessible for families. In short, we deliver the best value that will attract the most travelers for your tour.  

How far in advance should I start planning?

We recommend starting 12 to 18 months before departure—ideally even earlier if possible. If you’ve only planned domestic tours before, this timeline might seem long, but international travel requires more lead time for final payment deadlines, venue booking, and logistics. 

But here’s the real reason we encourage early planning: giving families the gift of time. The earlier you promote your tour, the more time families have to save, which typically increases participation from your ensemble. Students can still sign up closer to departure, but early planning maximizes your group’s opportunity to travel together. 

What’s included in the tour price?

We customize what is included in a tour based on your needs. The base cost typically includes airfare, lodging, transportation, venue fees, and tour guide fees, but there are a range of other included options.  

Here is how add-ons can vary by group type:  

Our youth and high school groups often want an almost all-inclusive package, so the only thing budgeted separately is lunches, instrument rental if needed (read more about planning a trip for an orchestra or band), and souvenir money! Adult groups often like a bit more time for individual exploration, especially for local dinners, while still ensuring lots of group togetherness at welcome and farewell dinners, concerts, and of course support from Tour Managers. University groups may want more scheduled activities or want more individual exploration.  

You’ll work with our tour specialist to determine what meals to include, how many activities versus free time, whether gratuities are bundled in, and every other detail. 

Nothing is one-size-fits-all, and we want to ensure the package and the price will fit the needs of your group.  

How do “comp spaces” work?

We customize complimentary spaces based on your organization’s needs. This could be a flat number—like two free places regardless of group size—or a scaled ratio like 1:10 (for every 10 participants, we can offer one comp space). We discuss this during planning to ensure essential personnel who shouldn’t be paying can travel without financial burden. 

Are there payment plan options?

We pride ourselves on flexible payment plans. Together, we’ll set a deposit amount and create a payment schedule that works for your group—whether that’s equal monthly payments, every other month, or skipping certain months entirely. Final payment is due no later than 120 days before departure, but there’s flexibility in how we structure everything leading up to that. 

We offer both group billing (popular with universities) and individual billing (preferred by most groups). Our individual pay includes options to pay with no additional finance or billing fees. We will also work with individuals on custom payment plans if needed. 

What does the planning process actually look like?

It starts with a conversation. We know you are busy and your time is valuable, but a brief 20-30 minute chat will allow us to tailor your trip proposal to your ensemble’s needs. In this call, we can learn so much more about your group, your goals, and your vision, and therefore put a proposal in front of you that is viable and interesting. Later planning can be done via email, but speaking together with an initial call will ensure we understand what makes you, your group, and your trip special.  

During that call, we’ll discuss your touring history, your performers’ experience level, the impact you want the tour to have, the kinds of concerts you envision, your wish list for the trip, your preferred destinations, and the realities of your budget. Then we will craft a customized itinerary—balancing activities and free time, determining which meals to include, and planning concert experiences.  

Once we’ve landed on something that looks good, we submit it for official pricing (typically up to a two-week turnaround, often less). Then we review the priced itinerary together, make any adjustments to meet budget goals, finalize the payment schedule, and we’re ready to launch! We’ll even conduct a launch meeting for your group so you don’t have to. 

In short, we are your partners in planning. We recognize that you are busy and going above and beyond for your ensemble, so we want to deliver the greatest tour experience possible, starting with the moment we make contact to plan your trip.  

How are concert venues selected?

This is one of the most collaborative parts of planning. We don’t just assign venues—we work with you throughout the planning year based on your ensemble size, repertoire, and the kind of concert experience you want to create. 

During planning, you’ll share information about venues you love and venues you’d rather avoid, the size of your group, and your repertoire (if you don’t know exact repertoire when you start planning, that’s fine!). We then source and solicit potential venues and present them to you. 

We also budget for promotional efforts to attract engaged local audiences. Concert formats are flexible: standalone evening recitals, lunchtime performances, musical exchanges with local ensembles, singing services or masses, school exchanges, or even performances at prestigious venues (with possible supplementary cost). It’s all tailored to what you want. 

How do I choose the right destination?

This is where the initial phone call becomes invaluable. We’ll discuss your touring history, what destinations excite you as the director, and what might resonate with your musicians. 

If you have destinations in mind, we will help bring them to life. If you don’t, we will leverage our decades of experience and deep international relationships to choose a destination that will serve your ensemble! 

What if I start planning and can’t get approval?

This happens, and it’s completely okay.  

We’re here to be your partners during the approval process. We can provide documentation for school boards, certificates of insurance, or complete vendor approval processes for your district. 

If approval does not happen, we can work with you to seek approval in a future year, and hold everything on file until you’re ready. We know that not every trip that begins planning will depart, and we’re prepared to revisit when the timing is better for your organization. 

How much singing versus sight-seeing do these trips have? How packed are the itineraries?

As is true with all other facets of KI’s approach to delivering custom performance tours, we can tailor craft options that work for you and what your ensemble wants.  

Because we plan and deliver custom tours for a wide range of age-groups and disciplines—from youth to high school to college and adult across choir, band, and orchestra—we are familiar with a wide range of desires and successful outcomes for different groups. Just as an example: perhaps an adult group values free time, while a high school group needs a robust itinerary.  

All these guidelines are flexible. We customize based on your ensemble’s personality and needs. 

Where will we stay?

This will depend on group size, destination, and budget. 

Our standard is 3.5 to 4-star hotels with twin or double rooming, typically within 30 minutes of major attractions in each city. But this is also customizable. 

If you want to prioritize walkability, we can work to get you close to the city center. If you want to prioritize accommodating a large group with ease, we can work to get you accommodations with proper amenities but less bustle than the city.  

Whatever your group wants, we will work to achieve.  

How do I know the itinerary will work for my group?

The planning process is about dreaming big: Where have you always wanted to travel? Where do you want to conduct? What experiences will make your musicians’ eyes light up? What will they always remember that you made happen for them? We work together to turn those dreams into a realistic, exciting itinerary—that is customized for your group. 

Like everything else, we work with you as your partner to achieve what you and your ensemble want.  

Remember: this trip is for you and you should love it!

Here’s something we want every director to remember: you’re doing extra work beyond your job description to better your ensemble. We see you, we appreciate you, and we want to take the burden off your shoulders. Therefore, we want to make sure you’re genuinely excited about your tour. 

Ready to start planning?

If you’re ready to start dreaming about your ensemble’s next adventure, let’s talk. A 20-30 minute conversation is all you need to start your journey.  

As your partner, KI will walk you through every step of the process, so you can focus on what matters most: the music.

Let’s Get Started

Top KI Concerts Moments from 2025

2025: A Year of Unforgettable Concerts Worldwide with the KI Family

Hi KI Concerts family! Oliver here with special thoughts about an incredible year.

As this holiday season builds to a crescendo, and we look forward to 2026, we’d like to take a step back to reflect on a year defined by new destinations, meaningful collaborations, and countless shared memories. From breathtaking basilicas to bustling city squares, ensembles filled stages around the world with energy, passion, and unforgettable performances.  

Here are some of KI Concerts’ top moments from 2025:

Esteemed Performance Venue: St. Peter’s Basilica

While there are many incredible spaces around the world to perform in, St. Peter’s Basilica in the Vatican is one of the most sought after by our ensembles. Its history boasts timelessness, and its esteemed setting sets the stage for incredible stories.

This summer was especially remarkable. The day before their official performance at the Basilica, members of the Outer Banks Choir attended Papal Mass and saw the Pope up close! This special moment set the stage for a meaningful tour that was cherished by the group.

Read more about their performance tour here

 

Top Stories from 2025

Every tour leaves us with unforgettable memories, and this year was no exception. Here are a couple of stories that capture the spirit of connection, discovery, and music-making that defined our 2025 tours. 

  • We reflected on the Groton-Dunstable Regional High School choir’s moving performance at the historic Palais des Papes in Avignon, where their voices echoed off ancient stone in a deeply emotional moment. 

France

 

  • We had the joy of leading Holy Heart High School’s jazz band and chamber choir through Greece, where they performed against breathtaking backdrops, from ancient ruins to local community venues. Their concert at a primary school in Athens became an unexpected highlight, capturing the spirit of connection that makes performance travel so transformative. 

Greece

 

Destinations Explored for Future Travel

After a successful inspection trip this year, we’re excited to offer Turkey as a destination starting in 2026! Turkey offers musicians the rare opportunity to experience ancient history firsthand while engaging with a vibrant, modern cultural scene. The crossroads city of Istanbul which straddles the Asian and European continents, the legendary ruins of Troy, the sacred sites of Nicea, and the remarkably preserved streets of Ephesus connect visitors with thousands of years of civilization. With breathtaking landscapes, warm hospitality, and unforgettable performance opportunities, Turkey promises an inspiring and enriching experience for all who visit. See a sample tour itinerary here.

 

Looking Ahead: 2026 Trends

2025 was incredible, 2026 is going to be even more exciting. We’ve noticed more enquiries about performing off the main tourist routes. We expect the number of directors who are interested in immersion and in-depth connections with local ensembles to continue to increase next year.  

Particularly in our most popular up-and-coming destinations: Brazil and Cuba. 

From the incredible Christ the Redeemer statue, to behind-the-scenes tours of carnival float production sites, to exploring colorful street murals created for the 2016 Olympics, Brazil has something for every ensembleHere’s what one director said about the country and its warm audiences: 

“These were the most responsive audiences we’ve ever encountered. I’d be happy to provide a recommendation to any directors considering (or on the fence about) Brazil. Some of the students were a little “meh” at first with regard to Brazil (they told me so), but those same students praised the tour as the best one ever.”

Cuba offers incredible performance opportunities in historic venues, coupled along side the opportunity to immerse in culture that can feel close close and so distant simultaneously. Interested in learning more? Read about the UST String Orchestra’s performance tour this summer.

“Our students were truly amazing ambassadors for the university and our country. What was most significant was their deep encounter with a new culture. They had several opportunities to mix with Cuban students, sharing rehearsals and performances for and with each other.

 

As 2025 draws to a close, one thing is unmistakably clear: music continues to be a force that transcends borders, unites communities, and amplifies the voices of performers around the world. As we look ahead to 2026, the memories created and milestones achieved will continue to inspire the next generation of musicians to keep forging connections through the universal language of music. 

Cheers to you, 2025, and what’s in store for the new year!

-Oliver Scofield and the KI Concerts Family

Your Guide to Planning an Orchestra’s International Tour

Taking your orchestra overseas is a chance to perform in some of the world’s most inspiring venues and connect with the musical heritage that shaped your repertoire. At KI Concerts, we understand the delicate logistics of touring with orchestras—from instrument care to venue acoustics. Here’s what you need to know. 

What do I do about instruments? 

Smaller instruments like violins and violas are fine to travel with—they fit in overhead compartments on planes. But you’ll want to rent cellos, basses, and large percussion instruments. We handle those rentals for you at an extra cost. 

Because we know the value—both monetary and sentimental—of these instruments, we take extra care with transport logistics. 

We will let the airlines know what instruments your group plans to travel with, along with case dimensions, so the group is prepared to address any unforeseen obstacles at the airport.  

How do you accommodate instrument transportation during the trip? 

On travel days (airport to hotel, intercity transfers, and back to the airport), we can procure a truck for your group in addition to your coaches to handle all the luggage and instruments that don’t fit under the bus. This is an additional expense. 

Where are the best venues for orchestras? 

KI specializes in choosing the right venues whose acoustics match orchestras for all shapes and sizes. We have found great success with: 

  • Acoustically-rich churches (especially for string orchestras) 
  • Grand concert halls 
  • School exchange venues 
  • Historic, musical venues that bring the traditions of music-making to life 

After all, who doesn’t want to perform Mozart where he did? 

Are there destinations that work best for orchestras? 

We will work with you to have your orchestra perform in the destination of your choosing. From countries that speak to the music’s origin, to unexpected adventures with rich educational opportunities, we have hosted spectacular trips that travel throughout: 

Can my chamber ensembles also have performance opportunities? 

Absolutely. As a part of broader performances, quartets or quintets or smaller groups can perform with specific spotlights or moments, adding depth to your group’s overall presentation. 

Are Masterclasses available? 

Masterclasses can be incredibly enriching for orchestras. We can arrange meaningful educational experiences with esteemed local music educators. 

Can we combine with our choir? 

Definitely. The opportunity to perform a masterwork for choir and orchestra on an international stage will create indelible memories of this unique experience across your entire program. 

Read more about multi-group trips here.

 

Ready to bring your ensemble to Europe? Schedule a call with us to discuss your next international tour. We’ll help you craft the perfect itinerary. 

Why Taking Multiple Music Groups on Tour Makes Perfect Sense 

Thinking about bringing your choir, band, and orchestra overseas together? Or maybe just two of the three? At KI Concerts, we’ve helped countless programs coordinate multi-ensemble tours that create unforgettable experiences for students and directors alike. Here’s why combining your music groups is often the smartest move. 

Student Overlap 

Many of your students are already in multiple ensembles. Taking multiple ensembles from your whole music department means these musicians only need to commit to one trip instead of choosing between their band tour or their choir tour. It boosts accessibility for families and increases participation across trips. 

Critical Mass 

For smaller programs, combining ensembles gives you the numbers you need—both for compelling performances and for more favorable pricing. A 30-person orchestra and a 20-person choir suddenly become a 50-person tour, which lowers the cost for all participants. 

You Can Actually Perform Together 

Each ensemble can have their own spotlight moments, but you also get those thrilling full-school performances that create amazing photo opportunities and unforgettable memories. 

“Students develop strong relationships across genres, strengthening the esprit de corps that defines our program. We consistently see that this shared experience—living, learning, and performing together—enriches not only their musicianship but also their understanding of what it means to be part of something larger than themselves.”
Molly Fullerton, Broadneck High School Orchestra Director

One Leader Can Spearhead

One director can take the lead, with the other directors coming along as collaborators. You don’t need every director to be present in every planning call—we know you’re busy! 

“There is a greater sense of purpose when touring together rather than separately because the shared experience has led to a stronger sense of community and collective achievement in the music department.  I also noticed that after the tour, it has led to increased motivation of the students to continue their music education and has boost the morale of the department as a whole.”
Maricel Riley, Los Gatos High School Vocal and Choral Activities Director

It Works for Different School Types 

We have helped big schools tour with three ensembles and make huge memories, and we’ve helped small schools create unforgettable interdisciplinary experiences, growing all of their programs simultaneously.  

Bonus Option: Arts Appreciation Tours 

Not every trip needs to be performance-focused. Some groups travel simply to learn music history, attend professional performances, and experience a new culture.  

It’s a powerful educational tool that takes pressure off a rigorous rehearsal schedule, while still providing a priceless holistic music education.  

 

Interested in planning a multi-ensemble tour? Let’s talk about how we can bring your school’s entire music department overseas for an experience your students will never forget. 

FAQs for Band Directors Planning an International Tour

Planning an international tour for your band is exciting, but we know it comes with a unique set of logistical questions. At KI Concerts, we’ve been helping band directors navigate everything from venue selection to instrument rentals for years. Here are answers to the questions we hear most often. 

Does KI work with wind ensembles and concert bands only, or can my marching band travel too? 

We work with all types of bands: wind ensembles, concert bands, and marching bands. Each has very specific needs and will lead to very different on-tour experiences, which is exactly why it matters that we understand the distinctions. We will work with your band or ensemble, no matter its discipline, to bring your trip to life! 

Do I have to travel with all of my instruments? 

Yes and no. Smaller instruments that can often fit in a plane overhead compartment or as checked baggage (in durable cases) and are usually possible to bring on the airplane.
But for large instruments, we’d handle rentals for you at a separate expense. 

How do you transport instruments on tour? 

Depending on the number of travelers and instruments you need, we will be able to secure most instruments in the luggage compartments in the motor coaches. However, we may need to hire additional instrument trucks at additional cost for some days of the tour when the motor storage is at capacity.  

Are there any considerations for bands when selecting a destination? 

There are some countries where it is more challenging to rent some instruments you are used to using every day. We will guide you to the right destination that is the best fit for your band. 

What kinds of venues can you secure for us that will work for bands? 

We know the unique acoustics required to present bands and these have included: 

  • Grand concert halls 
  • School exchange venues
  • Covered bandstands in bustling parks
  • Historic town squares in Europe (particularly climactic and exciting!) 

What unique performance opportunities do you offer? 

Parades! Whether we’re helping your marching band secure a coveted spot in the Dublin St. Patrick’s Day Parade, or crafting a bespoke marching experience for your band in a place like the French Riviera, we will ensure your marching band has the opportunity to see and be seen. Parade opportunities vary due to factors like location and availability. 

Other interesting performance experiences include invitational opportunities, and places off-the-beaten-path, like amusement parks.  

Which countries are best for bands? 

While we will work with you to plan a trip to the right destination for your band, countries with robust band cultures and history tend to boast the smoothest logistics and the most impactful trips. Some examples: 

Any other questions? 

We’re here to help!

 

Illuminating Sound at the 2027 Spain Choral Festival

Dr. Kevin T. Padworski is the Artistic Director of The Colorado Chorale and Director of Vocal Music at Colorado Academy. Dr. Padworski sat down with us to discuss the music he’ll compose for the 2027 Spain Choral Festival, the theme of “Illuminating Sound, Vivid Expression,” and working with the festival’s Artistic Director and Conductor, Dr. Catherine Sailer.

 

Tell us about your theme for this festival. How do light and color play into “Illuminating Sound, Vivid Expression?”

Our theme draws from the natural connection between music, light, and color. Just as light illuminates and reveals, music has the power to awaken new perspectives and emotions. In this festival, we explore how choral sound can shimmer like stained glass, glow with warmth, or blaze with brilliance. Spain is known for this vibrant culture, so I can’t wait to pair music and explore the city together!

 

Why is Spain—specifically Barcelona—a perfect backdrop for this festival?

Barcelona is a city alive with artistry, history, and imagination. From the luminous mosaics of Gaudí’s architecture to the vibrant traditions of Catalan culture and deep musical heritage, the city embodies the very idea of light and color. It offers the perfect setting for a festival that seeks to connect musical expression with visual and emotional brilliance.

 

What can choirs and their directors expect for their ensembles from this festival? What kind of learning opportunities will it provide?

Choirs will have the unique opportunity to collaborate in a large festival chorus, performing alongside orchestra in one of the most inspiring cities in Europe. Through rehearsals, workshops, and shared performances, ensembles will strengthen their artistry. You will meet new friends, and experience new approaches to performance. We both hope to foster both high-level artistry and meaningful community—equipping singers and directors with tools they can bring back home to their own musical settings.

 

Your festival is special in that it will be co-directed. Tell us about your joint leadership style and what it will bring to the festival experience.

As a former student and now colleague and fellow conductor of Dr. Sailer’s, I’m so eager to partner with her to bring folks together to perform. We share a belief in collaborative artistry and working together allows us to bring two unique perspectives, two sets of skills, and two complementary artistic voices to the festival. This dual leadership creates a dynamic rehearsal environment, where singers are guided with both precision and imagination. It models the kind of musical partnership we hope to inspire for all.

 

And you will compose something original! What can you share now about this exciting new piece of music and its impact on the festival?

I’m super excited to compose for this festival! This new composition will be written specifically for this group, inspired by Spain and the theme of light, color, and sound. It will be crafted to highlight the grandeur of a massed choir and orchestra. My goal is to create a piece that resonates deeply with both performers and audiences—music that feels tied to Barcelona’s luminous spirit and the collective, diverse energy of singers gathered from across the world. This premiere will be a unifying centerpiece of the festival, giving participants the rare chance to bring a brand-new work to life.

 

What kind of takeaway would you be grateful for your attendees to have?

We hope singers and directors leave with a sense of renewed inspiration and connection. Beyond the thrill of the performances, we want them to carry home memories of artistic growth, cultural exploration, and shared community. If our participants leave feeling that their voices mattered in shaping something beautiful—that they were part of a vivid, illuminating musical experience—then we will be profoundly grateful.

 

 The 2027 Spain Choral Festival with Dr. Catherine Sailer and Dr. Kevin T. Padworski will take place from June 27 – July 2.

Interested in learning more?

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Australia Choral Festival: All Creation Sings

 

Australia Choral Festival with Dr. Pearl Shangkuan and Dr. Dan ForrestDr. Pearl Shangkuan is a celebrated conductor, lecturer and clinician. She is Director of Choral Activities and Professor of Music at Calvin University and chorus director of the Grand Rapids Symphony, a Grammy-nominated professional orchestra.

Dr. Dan Forrest is an acclaimed composer with numerous awards and distinctions. He is Vice President of Publications and Editor at Beckenhorst Press and Artist-In-Residence at Mitchell Road Presbyterian Church in Greenville, SC.

After the launch of our 2027 choral festival lineup, Dr. Shangkuan and Dr. Forrest discussed the theme of the Australia Choral Festival, their experience working together, and the beauty of the destination.

 

Tell us about your theme for the Australia Choral Festival. What will All Creation Singsmean for the festival and its setting?  

Dr. Shangkuan: “In the turbulent times we live in, it’s become my personal habit to be more aware each day of the beauty of nature, along with an even more intentional processing of the music that I do – taking time to find joy in these to nurture my spirit and gain strength to continue. This festival is envisioned with this dual combination of nature and music in creating a treasured experience for all.”

Dr. Forrest: “The beauty of our world provides such deep inspiration for so much music– the combination of beautiful text and beautiful sound is a perfect way to express what we all so often feel when we encounter natural wonders and beautiful moments on this earth. Making music about this in a place that many of us have never yet visited, is a once-in-a-lifetime opportunity for those encounters, and those expressions, to all come together.”

 

Your festival will be unique with Pearl conducting and Dan at the piano. Tell us about what kind of experience this makes for choirs.  

Dr. Shangkuan: “If you love the music by Dan Forrest as I and people all over the world do, it doesn’t get ANY better than performing his music with him on the piano! I consider these collaborations some of the best highlights of my career! Wherever I program Dan’s music, it always resonates deeply with performers and audiences alike. His music has a truly special soul-stirring quality. In this festival, the participants will get an upgraded experience from a choral perspective while actively collaborating with the composer in an iconic hall – what a thrill it will be!”

Dr. Forrest: “Pearl and I have collaborated all over the world, from various corners of the US to all over Europe…but never Australia, until now. She has told me such good things about it, and I can’t wait to go make music there! 

Pearl is one of my very favorite collaborators. She knows how to see “beyond the page” to the essence of my music, and how to bring it to life with integrity, honesty, and spirit. She knows how to value people, not just music, but always draws better music-making out of people than they thought they were capable of. And her spirit is deeply rooted, in a way that enriches all the people she works with.  

My gifts are creative and pianistic, not conducting, so I’d much rather put a choir in the hands of someone like Pearl. But I love being a part of the music-making, so if there’s a piano part, I want to be playing it! One of my favorite memories with Pearl was performing in Winchester Cathedral- we could hardly even see each other due to the placement, but we realized we hardly even needed that- we were perfectly synchronized, even in expressive and flexible tempi, because we understand each other and have a common vision for the music.  

Past experience has taught us that this kind of resonance and alignment is something that deeply enriches choir members, as they can hear the music unfold exactly how the composer intended, and interpreted and led by someone they can deeply trust. The result is music-making at a whole new level.”

 

Why is Australia a perfect backdrop for this festival

Dr. Shangkuan: “Australia is an incredibly beautiful country that’s on nearly everyone’s bucket list – and for good reason, which I can attest from my frequent visits to Down Under! From the very first time I visited up to this day, seeing the iconic Sydney Harbor View remains breathtaking for me! Nearby is the Taronga Zoo where one can see animals that are unique to the region and can even pet koalas! The wonderful combination of culture and nature makes this a double value festival... and I haven’t even started talking about shopping and the food!”

 

Set against the awe-inspiring backdrop of Sydney, the 2027 Australia Choral Festival promises to be a profoundly moving experience where artistry, nature, and community intertwine. With Dr. Pearl Shangkuan’s visionary leadership and Dr. Dan Forrest’s deeply expressive compositions brought to life at the piano, the festival is sure to be an unforgettable music-making experience.

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